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The appearance of Korean architecture in the modern West

Autor(en):
Medium: Fachartikel
Sprache(n): Englisch
Veröffentlicht in: arq: Architectural Research Quarterly, , n. 4, v. 14
Seite(n): 349-361
DOI: 10.1017/s1359135511000145
Abstrakt:

Although the general influence of the architecture of East Asian countries on the formation and development of modern architecture has been widely recognised, detailed evidence about the extent and nature of this influence has been accruing through a growing body of research. This began with Chinoiserie, a Chinese-style fashion around the eighteenth century in Europe, which was imprinted in the Rococo interior as well as in thejardin anglo-chinoiswith its Chinese pavilions. Then in the late nineteenth century there was a European zeal for Japanese art,Japonisme, which appeared in the Arts and Crafts Movement and Art Nouveau. Consequently, East Asian influences came to be reflected in the concepts and designs of numerous modern architects. The representative figure is the American master Frank Lloyd Wright, who adopted the spatial concept of Laozi (or Lao-Tzu) and the organic characteristics of Japanese architecture. China and Japan had also appeared in various publications and architecture played a typical role in the interchange. Also, some notable Westerners had visited China and Japan.

Structurae kann Ihnen derzeit diese Veröffentlichung nicht im Volltext zur Verfügung stellen. Der Volltext ist beim Verlag erhältlich über die DOI: 10.1017/s1359135511000145.
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  • Reference-ID
    10355425
  • Veröffentlicht am:
    13.08.2019
  • Geändert am:
    13.08.2019
 
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